ABouT

Can’t Sit Still devise performances and projects using physical theatre, circus, and live music. We make work with and for unusual audiences*, often in unusual locations**, turning ideas, systems and even people*** upside down.

* Anyone who is labelled as having special needs (PMLD, SLD, MLD), who identify as being on the Autistic Spectrum, is Deaf, deaf and hard of hearing, new mothers/birth parents with babies, people who use English as a second language, and anyone who, for any reason, might not believe that the Arts are for them.

** Libraries, children’s centres, outdoors, doorsteps, village & town halls, screens and everywhere in-between.

*** May contain handstands.

work with us

See our latest opportunities

We are a charity and rely on donations, sponsorship and grant funding to make our work possible. We are so grateful for any donations, large or small!

MeEt THe TEaM

Cat Boot (she/her)
Artistic Director

Cat trained in European Theatre Arts at Rose Bruford College and Contemporary Circus with Physical Theatre at Circomedia.

Previously an actor, Cat has directed all of Can't Sit Still's shows to date, and is also a freelance director for theatre, circus and film, working with organisations including Bristol Old Vic, National Centre for Circus Arts and Cirque Bijou. She was a senior lecturer at Circomedia from 2013-2022.

Cat is parent to a nine year old child and a three year old Labradoodle and has a slightly unhealthy obsession with cooking magazines.

Jay Haigh (she/her)
Company Manager

Jay trained at Wolverhampton Poly as a 3D Designer-Maker, and has since worked in the Arts sector in various roles as a Project/Programme /Event Manager and Strategist/Fundraiser with companies such as Welfare State International, Circomedia, Devizes Outdoor Celebratory Arts (DOCA), Pioneer Projects Celebratory Arts, mac, Quest Southwest & Viv Gordon Company.  

Alongside her work for Can't Sit Still, Jay also works with Create Gloucestershire as Company Manager and is a Maker & Mender. She is also accredited by RD1st as a Relational Dynamic Coach.

Can’t Sit Still is run under the guidance of a small and engaged board of trustees

Adam McCready / Ashish Sawhney / Claire Neaves / Robin Peters / ​Sarah Kingswell (chair) / Lucy Wood

help us grow

Keep updated with how to join our company by visiting our opportunities page , If you'd like to find out more, please get in touch for an informal chat.

Our policies

  • In line with our core value of ‘Disruptive Generosity’, we operate a flat pay structure for all employees or long term freelancers.

    Band A

    National Living Wage.

    For interns who are working with us through an official interning scheme, such as Kickstart, where the main purpose of the employment is to develop skills and experience.

    Band B

    £29,120 per annum plus benefits, or £172 per day.

    Offered to all long term freelancers or employees of Can’t Sit Still – including performers, company manager, artistic director, creatives, marketing manager and producers.

    Band C

    For freelancers with whom we need to work on a short term basis to complete a specific task/piece of work. Rates of pay are specified by the freelancer and are normally determined by the industry in which they work (i.e. accountancy).

  • In line with our value of 'Radical Care', we are committed to doing everything we can to minimise our impact on the planet. We are keen to work with artists, partners, venues and other stakeholders to implement good practice whenever possible. We welcome discussion and feedback about how we improve our environmental sustainability.

    Work
    – We recycle, re-use or redistribute old sets and costumes.

    – We work with our stakeholders to encourage and support each other to change behaviours which are out of tune with the planet.

    – We often make food to share and discourage use of plastic in the rehearsal room and on set.

    – We make shows that are adaptable and can work in less traditional spaces often on a ‘low tech needs’ basis.

    Travel
    – We ensure use of transport is carefully considered and limited to essential trips only.

    – Public transport, walking and bicycles are used whenever possible.

    – We are investigating carbon off-setting our touring mileage.

    Office Systems
    – We use online tools such as Zoom for meetings.

    – We use remote working practices within our team, using cloud storage systems, online tools and the good ole’ phone to organise our business.

    – We are making a plan to remove out of date and redundant computer files as we know we rely too much on big, power hungry servers.

    – We are auditing our suppliers to assess their green credentials, and moving towards using only ethically sound businesses to supply services.

  • We are all trying hard to make sustainable changes. Our experience shows by asking good questions we can encourage our partners to consider their interactions and potentially support them to make changes too.

    We expect the same challenge back from our colleagues and welcome ideas to improve our sustainability. In the spirit of mutual support we ask our venues to consider the following:

    Paper-based marketing
    Is the size of your print request appropriate for the show? Are there distribution channels in place to make best use of the print we provide? Can we minimise paper waste together?

    Meetings
    We love meeting our colleagues in person. However, let’s check together whether a meeting is essential and, if not, let’s find a travel-free solution that works for all of us.

    Food & drink
    Thanks for any drinks you might provide. We will always bring our own bottles and re-usable cups so you don’t need to supply anything in plastic bottles.

    We welcome any recommendations for vegetarian / vegan food suppliers nearby. Particularly great if they’re of the local home-grown kind so we can invest in your local economy while we are with you.

    Accommodation
    We like to stay in BnB’s nearby and ideally with local hosts who have a relationship with your venue. Hotels tend to consume big quantities of power and plastic which we’d prefer to avoid.

  • ​We are looking for people who are passionate about making the Arts inclusive and accessible – and are willing to share and learn.

    We believe the richest, most innovative and life-changing work is created when we work with people from a wide range of backgrounds – with different cultures, faiths and lived experiences.

    With this in mind we are very interested in hearing from people from the global majority, people who grew up in non-English countries and cultures, LGBTQIA+ people, those with lived experience of social or physical disabilities and chronic ill health, and people under the age of 30.